Unveiling the Artistry of Taka Maki-e: An Interview with Kazumi Murose, Master of Lacquerware

In the world of traditional Japanese craftsmanship, few techniques embody the delicate balance of precision and creativity quite like taka maki-e, or "raised maki-e." This intricate method, renowned for its three-dimensional beauty and shimmering metallic accents, is expertly practiced by Kazumi Murose, a distinguished lacquer artist from Wajima. In this exclusive interview, we delve into Kazumi’s journey, his mastery of raised maki-e, and the enduring legacy of Wajima lacquerware.

The Intricacies of Raised Maki-e

Raised maki-e stands as one of the most demanding techniques in Wajima lacquerware, requiring exceptional skill, patience, and an unwavering attention to detail. Kazumi Murose’s stunning creations showcase his profound expertise in this elaborate process.

Raised maki-e involves layering lacquer to create a tactile, three-dimensional effect. Artisans begin by applying thick layers of lacquer, which are meticulously cured to form a robust foundation. Intricate patterns are then elevated in relief, and metal powders such as gold or silver are sprinkled over the design. The surface is polished to perfection, revealing a luminous, multidimensional finish. This labor-intensive technique often precedes additional processes like hira maki-e (flat maki-e) or togidashi maki-e (polished maki-e), each requiring further time and effort. The result is a harmonious interplay of raised relief, metallic shimmer, and lacquer’s glossy sheen, beautifully exemplified by Kazumi’s renowned lucky mallet.

The Path to Mastery

Becoming a maki-e master is a journey marked by dedication and perseverance. Kazumi Murose’s path to expertise is a testament to his unwavering commitment to the craft.

Kazumi’s fascination with Wajima lacquerware began in middle school, sparking a determination to pursue this intricate art form. He honed his skills at Wajima Vocational High School, where he specialized in lacquer arts, and subsequently apprenticed under a seasoned master craftsman. His early years were dedicated to foundational tasks such as kneading lacquer, cutting charcoal, and preparing materials. Countless hours were spent perfecting brushwork, meticulously drawing lines, and replicating his master's designs.

Despite the apprenticeship being slated for four years, Kazumi faced significant challenges, including severe knee pain that forced him to pause his training after three years. Undeterred, he resumed his apprenticeship at twenty-six, dedicating another three years to mastering the craft under his senior apprentice. This extended training period, spanning over twenty years, underscored his resilience and passion for achieving independence as a craftsman.

Embracing Independence Through Art

Achieving independence as a maki-e artist brought both newfound freedom and formidable challenges. Kazumi reflects on this transition, highlighting the shift from shared responsibilities to bearing the full weight of his craft.

“The hardest part was coming up with my own designs and finishing them by a deadline. There were failures, and I often found myself delivering the work at the last minute,” Kazumi shares. Previously, tasks were collaboratively managed with his master and workshop, but independence meant he now had to oversee every aspect of production.

He recounts specific challenges, such as rushing the polishing process after applying gold powder, only to have it peel off, and the meticulous control required for lacquer drying, where humidity and temperature must be precisely managed. These hurdles are common in traditional crafts, where the intricacies of the process demand unwavering attention and expertise.

“At that time, I was accepting every job that came my way, so I received a wide variety of design requests,” Kazumi explains. One particularly memorable project involved kawari-nuri, a decorative lacquerware technique that flourished during the Edo period. Used to adorn sword sheaths, kawari-nuri features hundreds of unique methods and patterns, each requiring a deep understanding of lacquer application and design.

Creating natural, organic patterns remains a demanding yet rewarding task for Kazumi. “I try to achieve natural, organic patterns that don’t look too contrived, but it’s difficult every time,” he admits. Despite the challenges, the creative freedom he now enjoys as an independent artist makes the rigorous process worthwhile.

Expressing Creativity Through Diverse Designs

As an independent artist, Kazumi revels in the ability to explore a variety of projects beyond set patterns. This creative latitude allows him to infuse his work with personal expression and innovation.

“When I was an apprentice, I mostly worked on set patterns, like landscapes or specific floral designs. But now, I get to work on a variety of projects. It’s really fun to be able to paint so many different designs,” he enthuses. Each piece he creates is unique, shaped by the moment of its creation, with subtle differences that distinguish one work from another, even when depicting the same subject.

Highlighting Kozuchi: A Masterpiece of Raised Maki-e

One of Kazumi’s standout creations is the kozuchi (mallet) featured at SAKITIME Gallery, a testament to his artistic vision and technical prowess. In Wajima lacquerware, the kozuchi holds significant cultural importance, often used in celebratory occasions such as weddings. Crafting a kozuchi is a labor-intensive process that spans two to three months, involving repeated sections of painting and drying to achieve its three-dimensional form using raised maki-e techniques.

Kazumi explains his approach to creating the kozuchi:

“First, I draw the design, and then I begin the work. There are different approaches. For example, in raised maki-e, you can start by raising the pine tree part first, then painting the water and the ground around it. Or, you can finish the flat areas with gold powder first and then give height to the pine tree.”

The iconic Matsushima maki-e motif, featuring pine trees and waves, is a traditional design in Wajima lacquerware. It captures a serene landscape of pine trees on islands with the sea in the background, utilizing variations of gold to create depth and vibrancy. Kazumi meticulously applies different types of gold, balancing thin and heavy applications to enhance the natural beauty of the scene.

“In this piece, I use various types of gold. I hope people will enjoy the subtle differences in color. I’ve also incorporated different techniques, applying gold thinly in some areas and more heavily in others, always balancing the landscape depicted in gold,” he adds.

A Testament to Resilience: The Earthquake-Surviving Kozuchi

Kazumi’s kozuchi holds a special place not only for its artistic value but also for its resilience. This particular piece survived the devastating earthquake that struck the Noto Peninsula on January 1st of this year, remaining intact amidst the chaos. Carefully preserved by Kazumi, the lacquer has developed a rich luster over time, evolving into a true masterpiece destined to be passed down through generations.

Interestingly, Kazumi also crafted a pen presented to President Biden and his wife by former Prime Minister Kishida during a visit to the White House. This pen features the majestic bald eagle of the United States and the phoenix of Japan soaring across its lacquered surface, symbolizing a harmonious blend of cultures and Kazumi’s pursuit of artistic freedom.

“It was a piece I made after the earthquake. I gathered whatever remaining gold powder and materials I could find amidst the chaos. In that sense, it became a truly symbolic work for me, something I’ll never forget,” he reflects.

Embracing Freedom in Craftsmanship

Throughout the interview, Kazumi speaks with calm determination, emphasizing the importance of freedom in his creative process. This sense of autonomy is what drew him to become a maki-e artist, allowing him to explore and express his unique artistic vision.

“Freedom is essential in my work,” Kazumi states. “In a life filled with the hardships of a craftsman's journey, finding my own sense of freedom has been incredibly rewarding.”

The intricate designs of the bald eagle and phoenix on the White House pen serve as a poignant reminder of Kazumi’s dedication to his craft and his relentless pursuit of artistic expression.

Conclusion

Kazumi Murose’s mastery of raised maki-e exemplifies the pinnacle of Wajima lacquerware craftsmanship. His journey, marked by perseverance and a deep passion for his art, highlights the enduring legacy of traditional Japanese techniques. Through his intricate designs and innovative approach, Kazumi not only preserves a precious cultural heritage but also ensures its vibrant evolution for future generations. Whether adorning a ceremonial mallet or a diplomatic pen, his work continues to captivate and inspire, shining brightly on the global stage.

Discover More at SAKITIME

Explore the exquisite world of Wajima lacquerware and Kazumi Murose’s masterpieces at SAKITIME. Immerse yourself in the beauty of traditional craftsmanship where gold and artistry harmoniously converge.